B-cell Lymphoma More Condition_symptoms

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A gray edges

For some time trying to improve my black and white. I want it to be less mixed than what I've done so far. I was told that a beautiful black and white printing, the deviation between the lightest and darkest value should not be maximum, but minimal. While allowing the image to be legible, of course.
I do not know if it's true, but I try. I refine my exposure when shooting, I try to be less brutal and less approximate development, I snapped the rare automatisms I had left when scanning my negatives. Gimp, I no longer touch anything, everything is raw scan.
Brute scan, for example, my series " sardine " that some of you are too mixed, so it's not for me (I will invite you soon to exhibition of a dozen 30x45 prints, those who come will ... ) . It's just 400ISO film (HP5 +) 1600ISO pushed for the specific needs of night photography. Lately, I try instead to overexpose my film one stop and develop their sensitivity. I was already doing for slide films for quite some time, but now I'm also for the NB.
I am in favor of exposing the rule of thumb for 6x6: I take a value in the shade, another sun early in my walk and then I'm doing. By cons in 24x36, an exhibition fair can really make a difference on a cliché. Of Suddenly I am more and more attention to the accuracy and potential shortcomings of the cells embedded in my boxes 24x36: Minolta CLE, ZM Zeiss Ikon Konica Hexar.

Konica Hexar RF + Tanaka Kogaku Tanar 50 / 2 - @ TMax 400ISO Agfa Rodinal 1 + 5 0 April 2009
Konica Hexar RF + Serenar returning 50/1.9 - FP4 + @ 125ISO in Bulb Agfa Rodinal 1 +5 0 July 2009
Konica Hexar (35 / 2 @ f/2.8) - Tri-X @ 400ISO Kodak D-76 stock December 2010

These photos are not "examples" per se, but merely "tests" that I use to calibrate my black and white. The shades of gray that I am looking simply may not be. The sense of "fairness" is difficult to go into words. The flavors and colors, they say, does not discuss.

Minolta CLE + M-Rokkor 40/2 - TMax @100ISO Ilford Ilfotec LC29 1+19 février 2010
Zeiss Ikon ZM + Canon 35/1.5 LTM - TMax @100ISO Ilford Ilfotec LC29 1+19 February 2010

Wedding Thank You Messages

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Somewhere

Somewhere is not an indication of a sterile abstract place where no one can go. It is not inaccessible, dry fruit of torment juveniles. The latest film from Sofia Coppola is not an empty place to resurrect the wishes of spleen less than a generation disillusioned she dares to admit. Far from underlining the impasse, the latest film from Sofia Coppola opens a space directly accessible and productive. Daughter, father and friend eat all the eggs benedict. They play video games together. They share gelati in bed in a palace in Italy. They bathe. Whatever the venue, whatever the thing, provided they are together somewhere and that they share something. The Sofia Coppola is somewhere populated and delicate. Stripped of narrative strings a bit heavy for its great success, Lost in Translation (heaviness significant facial voluntarily emasculated Bill Murray and the story that follows - accordingly) Somewhere takes the California desert as example of what is possible when there is nothing left. When a world is crumbling under the weight of its own meanings, Sofia Coppola took him at his word, uses, still a bit empty, because that is the function of the desert, to give thanks to things. Fetish happy. Opportunity. Afterwards, Omega Point read Don DeLillo and remember that Sofia Coppola is not a cynical filmmaker who filmed anything. Precisely the opposite. Extreme communicability of beings and things, porosity, excessive attendance.
See also Godfather III .
Rémy Russotto

Dune Buggy Blueprints

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From Here to Eternity

From Here to Eternity, cinema is not dead. It will give actresses, men, a plank to bounce, one hand to dance, a revolver to kill. Sex, violence, elegance, what are the actors? They exist inadvertently the entire world into a point. The biggest players, according to In Praise of Love, are Heraclitean. Fragments and haiku worlds they crystallize at every step, voice, bang!

Lawrence Sutter

1. Jerry Lewis
2. Jean-Pierre Léaud
3. George Sanders
4. Sean Connery
5. Sacha Guitry
6. Douglas Fairbanks
7. James Coburn
8. Chow Yun-fat
9. Robert Downey Jr.
10. Jean-Luc Godard

Jérôme Dittmar

1. Tony Leung Chiu Wai
2. Cary Grant
3. Jean-Pierre Léaud
4. James Coburn
5. Christopher Walken
6. James Stewart
7. George Sanders
8. Gene Kelly
9. Chow Yun-Fat
10. Robert Downey Jr.

Rémy Russotto

1. Peter Sellers
2. Jean-Pierre Léaud
3. Cary Grant
4. George Sanders
5. Douglas Fairbanks
6. James Coburn
7. Tony Leung Chiu Wai
8. Jerry Lewis
9. Tom Cruise
10. Chow Yun-fat

Letter Round Pendant Tiffany

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World Cinema Trade

The 2000s did not begin on 1 January 2000. It began Sept. 11, 2011, by the largest fireworks display in history. Is it still possible to make films after September 11, 2001? That is the question answered by this list. 10 films for a decade - 10 ways to try to beat the images of the collapse of the World Trade Center. Adorno had banned poetry after Auschwitz - but without doubt it was because he saw a peak in Auschwitz obscene poetry. He might just as well could require the opposite. Such, at least, the choice made film.
Lawrence Sutter:
1. Chris Columbus 'Rent'
2. Michael Mann's 'Collateral'
3. Wes Anderson 'The Darjeeling Limited'
4. Barry Sonnenfeld, 'Big Trouble'
5. Johnnie To's 'Sparrow'
6. Eric Rohmer's 'The Romance of Astrea and Celadon'
7. Andrew Blake, Aria,
8. Ridley Scott, 'A Good Year'
9. Sophie Letourneur, 'Life at the ranch'
10. Gore Verbinski, "Pirates of the Caribbean 1, 2 & 3 '

Jérôme Dittmar :
1. Michael Mann, 'Miami Vice' 2. David Fincher, 'Zodiac' & 'The Social Network' 3. Wachowski Bros, 'Speed Racer' 4. Francis Ford Coppola, 'Youth Without Youth' 5. Peter Weir, 'Master and Commander' 6. Wes Anderson, 'The Darjeeling Ltd' 7. Chris Columbus, 'Rent' 8. Tony Scott, 'Déjà vu' 9. Satoshi Kon, 'Millenium Actress' 10. Johnnie To, 'Sparrow'

Rémy Russotto:
1. Chris Columbus, 'Rent' 2. Tony Scott, 'Domino' & 'Déjà vu' 3. Hou Hsiao-hsien, 'Millennium Mambo' 4. Michael Mann, 'Collateral' 5. Eric Rohmer's 'Triple Agent' 6. The Wachowskis 'Speed Racer' 7. Robert Altman, 'A Prairie Home Companion' 8. Francis Ford Coppola, Youth Without Youth ' 9. Won Kar Wai, '2046 ' 10. Giannoli, 'The Singer'.

Cancerous Moles More Condition_symptoms

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Expo "Sardinia" in San Guénolé Penmarc'h in Finistere

Well here is the time to announce my first photo exhibition. This is the series "Sardinia" conducted in August 2010 and presented in October hereby . Starting new scans of my negatives, I did make 11 30x45 digital prints laminated on aluminum support.


The exhibition runs from Saturday at the Cafe Chez Cathy "Guénolé St., just behind the auction. It is a place frequented mostly by fishermen, elders and a few regulars.
If you are visiting or if you want to visit, you can enjoy the authentic atmosphere of the place and the friendly welcome Cathy. 20x30 signed prints will be on sale in the coming days. Of course you can also buy me via this blog. It is a way to support my next photo project - you will soon see - take shape and promises to be exciting.
Thanks to everyone who expressed their encouragement.