deaf or mute, cinema has always been talkative. Light from the views, the images speak. No need for her to hear, a fitting enough. Eyes closed, In Praise of Love unveils its ranking of the largest films without a vote. They are ten. Maybe they come from afar, like a whisper of time, or are they close, speaking of a brilliant and indelible stamp.
Jérôme Dittmar:
1. The Thief of Baghdad, Raoul Walsh
2. The Last Command, Josef Von Sternberg
3. Sunrise FW Murnau
4. Man with camera, Vertov
5. Napoleon, Abel Gance
6. Les Vampires, Louis Feuillade
7. The Wind, Victor Sjostrom
8. seasons, Artavazd Pelechian
9. Sherlock Jr. Buster Keaton
10. The Voyage dans la lune, George Méliès
Rémy Russotto:
1. Les Vampires, Louis Feuillade
2. Birth of a Nation, DW Griffith
3. Autumn Mists, Dimitri Kirsanoff
4. My wife be like a rose, Mikio Naruse
5. The Thief of Baghdad, Raoul Walsh
6. Aelita: Queen of Mars, Yakov Protazanov
7. Tabu, FW Murnau
8. inhuman, Marcel L'Herbier
9. Trip to the Moon, Georges Méliès
10. Robin Hood, Allan Dwan
Lawrence Sutter:
1. Fantômas, Feuillade Louis
2. The Iron Mask, Allan Dwan
3. The Thief of Baghdad, Raoul Walsh
4. Decadence Andrew Blake
5. the eleventh year, Dziga Vertov
6. Thi Minh, Louis Feuillade
7. Fritz Lang, Metropolis
8. The arsenal, Alexander Dovzhenko
9. Birth of a Nation, David W. Griffith
10. Fazil, Howard Hawks
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