In a recent post , I've made the apology and its C Bronica MC 80mm f/2.8 Zenzanon "by Carl Zeiss Jena. Believe it or not: it triggered around me (forum, Flickr ...) desires of Bronica ... and heard comments on the Carl Zeiss.
I wanted to fix this. First, because a purely mechanical device, it is never a time exposure. No need to buy a Bronica for a proper exposure time, normally. Then because if the Carl Zeiss are very well made, they are certainly not alone in Bronica mount.
The proof images with two other focal standard Bronica: the widely-P Nikkor 75mm f/2.8, and its cousin the late Zenzanon MC 75mm f/2.8. Also in the same type of use, I fear, that is to say mainly black and white portrait.
A very common configuration in: Used Bronica S2 +-P Nikkor 75/2.8 
Bronica EC-Thiers-Nikkor + P 75/2.8 
Bronica C + MC 75/2.8 Zenzanon 
It's not just Carl Zeiss in life ... Bronica C + MC 75/2.8 Zenzanon I dare a crime that will make you scream behind your screens: a landscape in color, with a film of entry! ! Shocking!
Bronica C + MC 75/2.8 Zenzanon Fuji Superia 400 system Bronica S lasted quite years. As such, numerous standard lenses have been produced, with their differences. They change names, anti-reflection optical formula and sometimes original. These include:
-P Nikkor 75mm f/2.8 Nikkor -PC 75mm f/2.8 75mm f/2.8 Nikkor-HC Zenzanon MC 75mm f/2.8 MC 80mm f/2.4 Zenzanon MC 80mm f/2.8 Zenzanon "by Carl Zeiss Jena" Zenzanon 100mm f / 2.8 105mm f/3.5 Nikkor-Q central shutter
products by Nikon Nikkor (first time), possibly produced by Konica Zenzanon (2nd time). Between the two periods, an exception occurred with few copies by Carl Zeiss Jena. Marked "MC" indicates some Zenzanon obviously Multi-Coating, anti-glare more elaborate than those of the first Nikkor time. The catalog was saddled with the Bronica S-P Nikkor 75/2.8 from wide angle Nikkor-H 50/3.5 portrait lens and Nikkor-Q 135/3.5. For Nikon, the letter after "Nikkor" indicates the number of lenses in the optical formula. The "C" indicates a special anti-glare.
The Nikkor-P, first in the series, has a single-layer anti-reflective color purple. As such, it provides some nice shadows well detailed but its front lens is prone to flare, despite its position far behind the target block. The blur is not smooth and progressive but rather severe, with an effect turning open.
Among Zenzanon, note two rarities: the Zenzanon MC 80/2.4 is to my knowledge the goal at the brighter after the legendary 6x6 format Noritar 80 / 2 of 66 Norita * . This is very good in NB but it is particularly distinguished in color. The opening to f/2.4, very frankly, does not a significant comfort everyday but it produces a beautiful blur, quite milky. The Zenzanon 100/2.8 is probably in this frame my favorite lens. I used more frequently than the Carl Zeiss 80/2.8 because that picture, the focal length of 100mm seems a good choice. It is very sharp and as good in color or NB.
Well, NOW you can all rush to eBay to find a Bronica! Ha ha ... :) A further reading on the origins of Bronica: Mr Zenza's Rolls Royce !
Spend a happy festive season! * Update Jan 2011: j 've recently discovered the Planar 100 / 2 available in Hasselblad 2000fc mount (without shutter. Central)
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